Algarve in Watercolor / Algarve em aquarela – Intimate plein air or studio studies capturing Algarve’s light, color and spirit. Collect a piece or commission your favorite view.
BARCOS DE BURGAU
Watercolor on paper, 18 x 28 cm (7 x 11 in),
115 EUR – purchasing in person (Faro & surroundings)
Shipping within the EU on request.
Mercados de Olhão (1)
Watercolor on paper, 23 x 30.5 cm (9 x 12 in),
125 EUR – purchasing in person (Faro & surroundings)
Ilha de Armona (sombras)
Watercolor on paper, 23 x 30 cm (7 x 9 in),
105 EUR – purchasing in person (Faro & surroundings)
Ilha de Armona (Lánacosta 1)
Watercolor on paper, 23 x 30.5 cm (9 x 12 in),
SOLD – purchasing in person (Faro & surroundings)
A porta verde, Olhão
Watercolor on paper, 15 x 21 cm (5.8 x 8.3 in),
95 EUR – purchasing in person (Faro & surroundings)
Ilha de Armona (Lánacosta 2)
Watercolor on paper, 23 x 30.5 cm (9 x 12 in),
SOLD – purchasing in person (Faro & surroundings)
Faro, muralhas
Watercolor on paper, 18 x 24 cm (7 x 9.5 in),
105 EUR – purchasing in person (Faro & surroundings)
Sombra no largo, Olhão
Watercolor on paper, 15 x 21 cm (5.8 x 8.3 in),
95 EUR – purchasing in person (Faro & surroundings)
O barco amarelo
Watercolor on paper, 23 x 17 cm (9 x 7 in),
105 EUR – purchasing in person (Faro & surroundings)
Cais de Embarque em Olhão
Watercolor on paper, 23 x 30.5 cm (9 x 12 in),
125 EUR – purchasing in person (Faro & surroundings)
How I paint in watercolor
Watercolor is an unforgiving medium: it demands full attention and presence—and that’s exactly what I love about it. Most studies are finished within 30 to 45 minutes.
Painting water by using this brilliant color – Cobalt Turqoise Light – such a pleasure!
I usually get up very early and try to be on location by 7 a.m.—I love and deeply value the morning light. Painting en plein air in the Algarve during summer is simply fantastic, and watercolor is the perfect medium for it. I almost always build up my images in layers—and here, they dry within seconds. To work wet-in-wet (especially for soft, blurry details in shadow areas), I need to spray the paper frequently.
Of course, it’s essential to find a shady spot—otherwise, you’re completely blinded by the rising sun. I love starting with a first wash using my big 4-inch flat brush (as seen in the picture). I often continue shaping the composition with it—it’s fantastic for blocking in architectural forms and building clear geometric structures.
Do you wish to paint along and learn from me?
If you want a relaxed but serious space to learn, observe, and grow your skills — check my watercolor courses at LIGHTHOUSE COURSES ART & ADVENTURE ALGARVE
I’ll teach you the foundations and techniques, step-by-step. It’s not easy, but with dedication and patience, the results are magical.
Watercolor can be tricky — but so-rewarding once you finally “get it!”
These aren’t a splash-it-anywhere kind of workshops, but a relaxed and focused space to learn, observe, and grow. Perfect for anyone who wants to see differently and bring that vision to paper.
I’ll also teach you to love working with a big brush and using bold, confident strokes — so your paintings stay fresh, expressive, and not overworked!